Take part in our project to tell the stories of the people of Govanhill through the objects that mean something special. The objects will be photographed using an innovative technique and will be displayed in an outside exhibition this August.

A photo essay from journalist Jen Stout shows the people fleeing the war in Ukraine and crossing the Danube to enter the port of Isaccea in Romania, where they are greeted by offers of food, shelter and support.

In Issue 5 of our magazine, Eoin Carey shared some pieces from his latest photo series entitled Fathers. The Govanhill based photographer’s latest series documents “the hidden half of parenthood”.

The biggest demonstrations held during COP26 in Glasgow fell right in the middle of the two weeks. Photos taken by Virginie Chabrol show a huge range of people from all backgrounds turning out with different messages, despite the Glasgow weather.

Greater Govanhill speaks to Beldina Odenyo, a singer-songwriter based in Govanhill. Odenyo discusses her upbringing, work and connection to the area.

Originally published in our second print issue, Rhiannon Davies speaks with Peter Hughes, founder of Keep On Pushing, a local fitness company that specialises in teaching Muay Thai.

Originally published in Issue 1 of Greater Govanhill community magazine, this is the first of a series where we get to know the people behind the portraits by Govanhill street photographer, Simon Murphy. First up is psychedelic artist, Alan Tanner who spoke about Dali, dragonflies and drawing.

‘Govanhill Street Level’ is an exhibition of the photography of Simon Murphy. Twenty portraits of local characters stare back at you from A1 prints displayed in shop windows. Greater Govanhill joined him on a walk about the neighbourhood, to see how his portraits paint a picture of the area.

Sixteen-year-old Dylan Lombard has an extremely rare illness. MDP syndrome is only affects 13 people in the world. But this isn’t the only thing that make him unique – he also has an incredible eye for the perfect shot. Dylan’s photographs of lockdown paint a stark picture of familiar streets, emptied of familiar faces.